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- School of Design Convergence
- Faculty
- Full-time professor
Assigned Teaching Subject
Interaction Lab(2), Interactive Media Design (1)(2), Wearable Design, Interactive Storytelling, Data-driven Design Studio, Data, Algorithm, AI and Art, Media Art, Design Convergence Studio (4)(5)
Level of Education
Queensland University of Technology, Interactive and Visual Design, Ph.D.
New York University, Interactive Telecommunication Program (ITP), MPS
Parsons School of Design, Illustration & Fine Art, BFA
Career
2020 - current : Data Art Group, RedOnion, Co-founder/Artist
2007-current : Hongik University, Associate Professor
2014 : Cornell University, visiting artist, New York
2012 : Cornell University, Visiting Professor, New York
2009-2014 : KERIS WCU Research. R32-20067: Convergence of Art and Technology, Hongik University Digital Media Public Art Lab funded by National Research Foundation of Korea, Researcher
2000-2009 : Interactive media design agency, Missing Pixel, LLC, Chief Creative Officer/Co-Founder, New York
1999-2000 : Oddcast, Inc, Interactive Art Director, New York
Field of Study
Media Art, Data Art, Interactive Art, Interaction Design, Embodied Media, Real-time Data Visualization, Wearable Design, Generative Art, Interactive Storytelling/Transmedia Storytelling, Tangibe Media (Physical Computing)
Dissertation
2020 : Seeking For Outliers: Artistic Exploration of Data Through Creative Practice, Ph.D. Thesis, QUT ePrint.
2019 : Seeking For Outliers – Artist Talk, ISEA (International Symposium on Electronic Art)
2018 : Weight of Data, ACM Digital Library In Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems. ACM, p. Art07.
2015 : Kim, Y. et al., 2015. Metamorphosis. ACM Digital Library in the 9th International Conference on Tangible, Embedded, and Embodied Interaction - TEI ’14. ACM. p. 415-416.
2015 : England, D. et al., 2015. Art. CHI. Proceedings of the 33rd.
2015 : Kim, Y. et al., mood.cloud – Data As Art, ACM Digital Library In Extended Abstracts of the 2015 CHI Conference on Human Factors in Computing Systems. ACM. pp347-350.
2015 : Wearable Art: Pushing the boundary of Expressive Wearable Technology. Communications of the Korean Institute of Information and Engineering 33(11). p. 37-41.
2013 : Gravity of Light ACM Digital Library In Extended Abstracts of the 2013 CHI Conference on Human Factors in Computing Systems. ACM.
2011 : Body Graffiti: EXPRESSIVE WEARABLE ART THROUGH BODILY PERFORMANCE. ISEA (International Symposium on Electronic Art).
2010 : Materials and Technologies in Wearable Computing Art and Design Implementation Research Journal of Basic Design & Art. 11(1). pp.75–84.
2010 : “Stir It On!; A Wearable Technology Art of Expressing Social Interaction in Public Space” Korea Digital Design Journal Vol. 10-1, KODDCO,
2009 : Kim, Y. et al., The P-War: Interactive Social Game Based on Dogs’ Territorial Behaviors, SIGGRAPH Research Challenge, New Orleans, USA
2009 : Ryan, S. et al., Social Fabrics, “Stir It On!” Leonardo Journal Vol. 42-2. MIT Press
2008 : Paulos, E. et al., 2008. Ubiquitous sustainability: citizen science & activism (workshop). Available at: [http://eprints.qut.edu.au/14130/](http://eprints.qut.edu.au/14130/).
2004 : ACM Digital Library HearWear: the fashion of environmental noise display. In ACM SIGGRAPH 2004 Emerging technologies. p. 7-8.
Research Subject
2020 : Plug-In City, Art Must Go On Project by RedOnion. Sponsored by Ministry of Culture, Sports and Tourism, Arts Council Korea, Seoul Foundation of Arts and Culture
2017 - 2020 : Seeking For Outliers: Artistic Exploration of Data Through Creative Practice, Ph.D. Research, RTP Scholarship by Australian Government and QUT.
2015 : Beyond Art and Technology: Research on Interdiscplinary Course Development Research, Korea National University of Arts & Hongik University.
2012 - 2014 : Eat, Cook, Grow: Ubiquitous Technology for Sustainable Food Culture in the City, Australian Research Council, with Queensland University of Technology
2009 - 2014: KERIS World Class University Research, Convergence of Art and Technology R32-20067, National Research Foundation of Korea
2012 : Gravity of Light, Da Vinci Creative Project, Seoul Foundation of Art and Culture.
Award
2009 : ACM SIGGRAPH Research Challenge, The P-War, 2nd Place Winner (USA)
2007 : Asia Digital Art Award, Interactive Digital Pond, Grand Prize (Japan)
2006 : Insights Award, Excellence in Creative Direction, Face of MS 웹사이트 (USA)
2005 : Graphis Interactive Design, Best Website Design (USA)
2005 : CiSCu2005 International Design Competition for Revitalization of Gwangbok-ro & PIFF Plaza, Emerging Net, Honorable Mention (Korea)
2004 : 39th Annual Belding Award, Best in Interactive Category, [PlanetKaizen.com](http://planetkaizen.com/)
2001 : Association of American Museums Award, 2nd Place, Museum of the Chinese American CD-Rom Title, “Transition”
2000 : The Public Relations Society of American Award Gold Medal, Multimedia Category, NYU Law School Promotional CD-Rom Title Design
Exhibition
2021 : Solo Exhibition [ Layered Layers], Gallery White Birch
2021 : Solo Exhibition [ Continuous Flow ] KOTE 3F Gallery
2020 : KIDP Design Korea Festival Main Exhibition, [ Data Beyond Design ]
2020 : Solo Exhibition [ Seeking For Outliers ], The Block gallery, Brisbane, Australia
2018 : Solo Exhibition PLAP 2018 [ The Sense of Data ], Platform-L Contemporary Art Center
2017 Robotronia Biennale, Brisbane, Australia
2016: Solo Exhibition [ Weight of Data ], Gallery ThisWeekendRoom
2015: International Exhibition [ Is My Dress Breathing? ] Beit Hair Museum, Tel Aviv, Israel
2015: TEI Arts Gallery [ Metamorphosis ], Stanford, USA
2014: [ 3D Printing & Art ], Savina Art Museum
2014: [ Dynamic Structure & Fluid ], Arko Art Center, Arts Council Korea.
2014: [ mood.could – Data as Art ], Gates Hall Lobby, Commissioned by Cornell University, NY, USA
2013: International Exhibition [ ACROSS ] Hongik Museum of Modern Art 2
2012: Seoul International Media Art Biennale [ Da Vinci Creative 2012 ] Geumcheon Art Center
2011: Solo Exhibition [ Bottari ], Gallery B2Project
2004: Gwangju Design Biennale Main Exhibition [ HearWear ]
External Activity
2020-current : Consulting, artistic direction, & development, RedOnion Art & Data projects
2011 - current : Editorial Advisory Board, A&HCI International Journal, Digital Creativity, Routledge Taylor & Francis Group
2009 - current: Committee & Board, HCI Korea
2022 : Invited Talk, Art Thinking on Data and AI, KRIGA (Korean National Research Institute for the Gifted in Arts) International Symposium.
2021 - 2022 : Studios Chair, TEI 2022 ACM International Conference on Tangible, Embedded, and Embodied Interaction.
2021 : Invited Talk, Data Bias: Discovering Diversity of Data, Digital Humanities City Forum. SMIT, Ministry of Education, National Research Foundation of Korea.
2020 : Consultating, .KRIGA Korean National Research Institute for the Gifted in Arts,
2018 : co-Chair, ACM DIS 2018 (Designing Interactive Systems), Work-In-Progress
2015 : Arts Gallery Chair, TEI 2015, ACM International Conference on Tangible, Embedded, and Embodied Interaction
2015 : Local Correspondent, CHI 2015, ACM국제학회, Interactivity Exhibition
2013 : Speaker, TEDxSNUsuwon, Bodily Expression Through Wearable Technology, Seoul National University
2012-15 : Partner Researcher, Eat, Cook, Grow: Ubiquitous Technology for Sustainable Food Culture in the City, Australian Research Council, with Queensland University of Technology
Patent
2021 : US Patent Registered 15/710,848 Method and Apparatus for Processing Data (Kim, Kang & An)